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Fleming, May Agnes, 1840-1880

"The Midnight Queen"


Her rising was the signal for the unseen band to strike up a
grand triumphant "Io paean," though, had the "Rogue's March" been
a popular melody in those times, it would have suited the
procession much more admirably. The queen and the dwarf went
first, and a vivid contrast they were - she so young, so
beautiful, so proud, so disdainfully cold; he so ugly, so
stunted, so deformed, so fiendish. After them went the band of
sylphs in white, then the chancellor, archbishop, and
embassadors; next the whole court of ladies and gentlemen; and
after them Sir Norman, in the custody of two of the soldiers.
The condemned earl came last, or rather allowed himself to be
dragged by his four guards; for he seemed to have become
perfectly palsied and dumb with fear. Keeping time to the
triumphant march, and preserving dismal silence, the procession
wound its way along the room and through a great archway
heretofore hidden by the tapestry now lifted lightly by the
nymphs. A long stone passage, carpeted with crimson and gold,
and brilliantly illuminated like the grand saloon they had left,
was thus revealed, and three similar archways appeared at the
extremity, one to the right and left, and one directly before
them.


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