How unnatural in some, how inflaming in
others, are the descriptions of it!--In most, rather rant and fury,
like the loves of the fiercer brute animals, as Virgil, translated
by Dryden, describes them, than the soft, sighing, fearfully hopeful
murmurs, that swell the bosoms of our gentler sex: and the respectful,
timorous, submissive complainings of the other, when the truth of the
passion humanizes, as one may say, their more rugged hearts.
In particular, what strange indelicates do these writers of tragedy
often make of our sex! They don't enter into the passion at all, if I
have any notion of it; but when the authors want to paint it strongly
(at least in those plays I have seen and read) their aim seems to
raise a whirlwind, as I may say, which sweeps down reason, religion,
and decency; and carries every laudable duty away before it; so that
all the examples can serve to shew is, how a disappointed lover may
rage and storm, resent and revenge.
The play I first saw was the tragedy of _The Distressed Mother;_ and a
great many beautiful things I think there are in it: but half of it is
a tempestuous, cruel, ungoverned rant of passion, and ends in
cruelty, bloodshed, and desolation, which the truth of the story
not warranting, as Mr.
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