"And to Italy she went. For her school she sought the studio of
Gibson--the greatest sculptor of the time.
"She resolved 'To scorn delights and live laborious days;' and there she
has lived and worked for years.
"She fashions the clay to her ideal--every little touch of her fingers
in the clay is a thought; she thinks in clay.
"The model finished and cast in the dull, hard, inexpressive plaster,
she stands by the workmen while they put it into the marble. She must
watch them, for a touch of the tool in the wrong place might alter the
whole expression of the face, as a wrong accent in the reader will spoil
a line of poetry.
"COLLEGIO ROMANO; SECCHI. There was another observatory which had a
reputation and was known in America. It was the observatory of the
Collegio Romano, and was in the monastery behind the Church of St.
Ignasio. Its director was the Father Secchi who had visited the United
States, and was well known to the scientists of this country.
"I said to myself, 'This is the land of Galileo, and this is the city in
which he was tried. I knew of no sadder picture in the history of
science than that of the old man, Galileo, worn by a long life of
scientific research, weak and feeble, trembling before that tribunal
whose frown was torture, and declaring that to be false which he knew to
be true. And I know of no picture in the history of religion more weakly
pitiable than that of the Holy Church trembling before Galileo, and
denouncing him because he found in the Book of Nature truths not stated
in their own Book of God--forgetting that the Book of Nature is also a
Book of God.
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