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Sinclair, Upton, 1878-1968

"The Naturewoman"

On the other hand her
enjoyment, however keen, never becomes boisterous. Her actions proceed
from a continual overflow of animal health. She is like a little
child, in that she cannot remain physically still for very long at a
time; she moves about the room like an animal in a cage. Her speech
proceeds from an overwhelming interest in the truth, regardless of all
personality. She never conceals anything, and she never represses
anything.]
ETHEL. [Finishes the music, then turns, and leaps up.] Oceana!
FREDDY. [Turns.] Oceana!
OCEANA. Ethel! [Embraces her.] Oh, my dear! How glad I am to see you!
ETHEL. Oceana! But how did you get here?
OCEANA. I came on the steamer.
FREDDY. But it isn't docked
OCEANA. They took us to another dock.
ETHEL. [Holds her at arm's length.] Oh, how fine you are!
OCEANA. And you--you can play my father's music! I'm so glad!
ETHEL. You liked the way I played it?
OCEANA. I liked it! And so I know I shall like you! And I'm so happy
about it--I wanted to like you!
ETHEL. But how big you are!
OCEANA. [Laughing.] Oh, that's the clothes. I got them in Rio. They're
queer, I guess, but I only had a couple of hours. And this is Freddy!
[They shake hands.] It's so good to be here!
FREDDY. How did you get from the dock?
OCEANA. I walked.
ETHEL. Walked all the way?
OCEANA. Of course . . . I enjoyed it.
ETHEL. But in the storm!
OCEANA. I didn't mind that.


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