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Southwick, Jessie Eldridge

"Expressive Voice Culture, Including the Emerson System"

Will it? Let us
see.
The culture of expression is a very different thing from the artful
imitation of the signs of feeling and purpose. If we are to have a real
education along lines of expression we must begin with the "content," or
cause, of expression. We may for the moment postpone discussion as to the
relative power of the sign to evoke the feeling, and the power of the
feeling or condition to evolve the most effective sign. There is something
to be said upon both sides; and, surely, the truth lies in the adoption of
all good means to produce the desired end.
First, then, to the basis. All oratorical values are measured primarily
from the standpoint of the "what;" the "how" is important, too, but only
in its relation to the "what" and "wherefore." The voice of the orator
must be an influence--a sincere vibration of the motive within.
Theoretically it is so naturally, but practically it is so only when the
voice is free from bias and is responsive through habit or spontaneous
inspiration to the thought of the speaker.
We will admit that genius sometimes is great enough to bring into
harmonious action all powers of the individual under its sway; but
education mainly strives to unfold the imperfect, to balance, the
ununified elements.


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